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PCC, femicide and 'Dark Horse': the unlikely path that linked a criminal investigation to the production company of the film about Bolsonaro

São Paulo Civil Police and prosecutors' investigation into a femicide points to a businessman allegedly tied to the PCC and linked to the production company of the Bolsonaro film.

PCC, femicide and 'Dark Horse': the unlikely path that linked a criminal investigation to the production company of the film about Bolsonaro

A plot that begins far from the cameras

An audiovisual project about the trajectory of Jair Bolsonaro (PL) came to occupy space in an inquiry that, at its origin, has nothing political about it. The case stems from an investigation into a femicide conducted by the São Paulo Civil Police and monitored by the state Public Prosecutor's Office — and it is on this terrain that a name emerges that investigators associate with the Primeiro Comando da Capital (PCC).

According to BBC News Brasil's investigations, this businessman appears linked, through commercial and corporate relations, to a person close to the owner of the production company responsible for "Dark Horse", the film that intends to narrate the life of the former president.

The intersection between a violent death investigated as femicide and a biographical feature film is the thread that authorities are now trying to untangle.

What the documents show

According to the case files analyzed, the femicide investigation gathered elements pointing to a businessman identified as a member or partner of a structure linked to the PCC. This same man, according to the investigations, maintains ties with someone in the circle of the person responsible for the film's production company.

The central point, therefore, is not the content of the feature film nor its artistic choices, but the web of financial and business relations surrounding those who produce the project. It is this network that the Civil Police and the Public Prosecutor's Office are trying to map.

How the PCC enters the story

The faction appears in the inquiry not as the protagonist of the case, but as the backdrop to the suspicions. Investigators seek to understand whether the businessman cited would operate in businesses with ramifications linked to the Comando — and, from there, whether such connections would reach the financing or the corporate structure of the production company.

There is, so far, no judicial decision confirming these suspicions. The investigations remain under seal, and none of the people cited has been convicted. These are, for now, hypotheses that authorities want to clarify as the inquiries continue.

The film and the noise around it

"Dark Horse" had been presented as a production that intends to reconstruct Bolsonaro's political rise. Even before its release, the feature film was already drawing attention for its subject — and now interest shifts from the content to the origin of the funds and the people who run the production company.

It is precisely this shift that turns a cinematographic work into a piece of an investigative puzzle, in which politics, organized crime and business become entangled.

What remains to be clarified

The next chapters depend on the progress of the investigations. The central questions are direct:

For now, what exists are indications gathered in an investigation and a film that, unintentionally, became part of an inquiry. The definitive answer still depends on the investigators — and on possible statements from the defenses of those cited, sought by the report.

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